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FROGTOWN
Copyright © 1996 by Rosanna (Koziczkowski) Kubiatowicz
For my mother, Gertrude
Beyond croaking frogs
singing in swampland the first railroad men streamed to claim the land, processions of
Germans, Bohemians, Slavs, Irish, men like George and Dominic, with strong backs and
sturdy thick hands that carried pickaxes resting comfortably on broad shoulders covered in
overalls that spoke of dirt, and sweat, and belonging.
On past pink peonies
and dazzling white snow-ball bushes that decorated two-story, framed,
working-class homes lined up in straight rows along majestic streets of stately oaks and
regal elms that shaded ordinary housewives like Gertrude and Johanna who all hung white
starched sheets on strong stretched lines to blow in the wind and under which children
silently stooped hoping to deceive the mothers who called for Rosie and Butch and Eddie
knowing all along that they hid there.
Discovered,
we suspended play to fetch bottles of milk from ma & pa grocery stores like
Haas or Hesses, or to fetch fathers home from saloons that stood like
sentinels on every corner with telling names like Nickel Joint, or Lenahans, or St.
Marie's, places filled with smells of stale cigar smoke, acrid beer, and perfumed and
rouged bar-maids who Dad always said were prostitutes.
For years we walked
down alleyways lined with trash cans to reach the red-bricked castle of St. Agnes
that stood watch over minds and counsel over consciences and we scaled stone walls along
streets where families settled together, brother next to brother, daughter next to mother,
and where family business was private and no one interfered but only shut the window or
pulled the shade and shrugged.
And we trembled
when Dad sat in an upstairs window with a shotgun in one hand and a whiskey in
the other ready to shoot intruders who marched down Dale Street in the heat of hot sixties
summer nights or shoot boyfriends who might not look right or act right, boys like Bobbie
and Nates and Chuck, who Dad always said never could look you straight in the eye--they
must be hiding something.
On past the free and easy times
of love-ins, trying to find "where its at," rebelling and
mellowing, preaching peace at sit-down demonstrations about Viet Nam and marching for
civil rights, all the time knowing that Big Brother watched but laughing through long
straight hair that fell on Corn-Silk faces and fathers and mothers shook their heads and
wondered where they went wrong.
Back then
walking in the middle of street with a brick in your hand in fear of shadows was
the birth of death for the sanctuary we called Frogtown, that once provided belonging and
privacy and place to those blue-collared laborers who built the two-story framed houses
that now sit on tattered streets and provide asylum for refugees, crack dealers, and
pimps.
Now only the lonely wind
howls more chillingly than the pop of bullets from drive-by shootings and sirens
follow uniformed men on horseback past decaying dreams of old women like Gertrude and
Johanna who still remember the sounds of frogs singing, of dirt and sweat and tales of
belonging told by fathers and husbands long since gone; women who hide behind deadbolted
doors and barred windows, who turn down hearing aids against unwelcome sounds, yet stay in
memories and sing their own sweet song of belonging...
Of home.
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The Thomas-Dale neighborhood of Saint Paul,
Minnesota, is known as Frogtown.
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